表现的机会

Music

Performing before a live audience is one of the most valuable aspects of a Juilliard education, 还有在学校里, 这样做的机会很多. 我们的年轻艺术家每年参加近700场由茱莉亚学院主办的音乐独奏演出活动, chamber, orchestral, jazz, contemporary, and opera), dance, and drama, 其中许多是免费向公众提供的. 

大多数演出都在茱莉亚的主要表演场地之一:彼得·杰伊·夏普剧院举行, Paul Recital Hall, Morse Hall, 罗斯玛丽和梅雷迪思·威尔逊剧院, but our students also regularly appear at other major New York City venues including Carnegie Hall, where the Juilliard Orchestra gives annual concerts; the Blue Note Jazz Club, where Juilliard Jazz enjoys regular gigs; and at Lincoln Center’s Alice Tully Hall, where the school’s popular Wednesdays at One series and other performances take place each year, and David Geffen Hall, 是纽约爱乐乐团的所在地.

View a slideshow of Juilliard musicians performing in a variety of environments and venues.

Contemporary Music 

由教师乔尔·萨克斯(Joel Sachs)创立和指导 New Juilliard Ensemble (N.J.E.)是学校里近代音乐的主要支持者. 由13至30名演奏者组成的室内管弦乐队, it offers two concerts each semester that feature works of the last 10 years, along with some rarely performed major compositions of the post-World War II period. 大多数演出都是首演, and an increasing number of works are being written for the ensemble by composers around the world, 以及esball世博学生作曲家的作品. Participation is voluntary, and participation is by audition.

Members of N.J.E. 还参加了年度 Focus! festival在1月下旬举行. 由乔尔·萨克斯(Joel Sachs)创立并执导! offers an immersion in a different topic in the history of modern music. 这些可能是对单个作曲家(如艾略特·卡特或阿尔弗雷德·施尼特克)的音乐的探索。, 一个地理区域(拉丁美洲), Japan, Poland), or a period of time (American mainstream composers of the last century). The festival comprises solo, chamber, and orchestral music.

由Jeffrey Milarsky教授主持， AXIOM is dedicated to performing masterworks of the 20th and 21st centuries. Since its debut performance in Avery Fisher Hall in February 2006, 该乐队已成为纽约市当代音乐文化中的一支领先乐团，在林肯中心和整个纽约市演出. Participation is voluntary, and auditions are held on a case-by-case basis.

Seminars and Classes

Participants in the 美国铜管五重奏研讨会 study the brass quintet repertoire and participate in master classes, seminar classes, and performances under the guidance of members of the American Brass Quintet. All undergraduate brass students must complete one year of the seminar.

Participants in the 竖琴，吉他和管乐器 与长笛教师Carol Wincenc一起每周学习室内乐曲目. Groups in the seminar perform at the end of each semester

所有大一和转学本科生小提琴, viola, 学大提琴的学生需要参加试镜 String Quartet Survey 在秋季学期开始时上课. Quartets will be formed by the course instructor, a former member of the Juilliard String Quartet. Participants in the class have weekly rehearsals and coaching sessions, 在一年的时间里学习四个四重奏, 包括莫扎特的四重奏, Haydn, Beethoven, 还有最近的曲目. 具体的指导方针和评分程序是由教师教练在年初概述.

Co-taught by violinist Catherine Cho and cellist Natasha Brofsky, the 室内乐与社区服务研讨会 是否向多达四个室内团体开放，这些团体承诺进行为期一年的探索，以利用音乐的力量作为我们当地社区变革的代理人. 通过申请和面试选拔, 任何乐器的两名或两名以上的音乐家组成的小组，除了参加研讨会外，还必须同时注册，接受一年的室内乐教师的独立指导. The class will comprise eight seminars over the course of the academic year, 在此期间，小组将与教师和受邀嘉宾一起开发和完善他们自己选择的项目. Possible projects include an educational collaboration with a local public school; a performance series in a senior center, art gallery or homeless shelter located in an underserved community; or a benefit concert for a charity of choice, among others. 通过与当地社区的接触, 学生将学习必要的个人和创业技能，包括创作和宣传他们的作品.